Publications

Book Chapters

 

Charles P. Martin and Henry Gardner. Free-Improvised Rehearsal-as-Research for Musical HCI. In Simon Holland, Tom Mudd, Katie Wilkie-McKenna, Andrew McPherson, and Marcelo M. Wanderley, editors, New Directions in Music and Human-Computer Interaction, Springer Series on Cultural Computing, pages 269--284. Springer, Cham, February 2019. [ bib | DOI | preprint ]

 

Charles Martin. Pursuing a sonigraphical ideal at the dawn of the NIME epoch. A commentary on “Sonigraphical Instruments: From FMOL to the reacTable”. In Alexander Refsum Jensenius and Michael J. Lyons, editors, A NIME Reader: Fifteen Years of New Interfaces for Musical Expression, Current Research in Systematic Musicology, pages 103--105. Springer International Publishing, Switzerland, January 2017. [ bib | DOI | preprint | .pdf ]

 

Charles Martin and Henry Gardner. A Percussion-Focussed Approach to Preserving Touch-Screen Improvisation. In David England, Thecla Schiphorst, and Nick Bryan-Kinns, editors, Curating the Digital: Spaces for Art and Interaction, Springer Series on Cultural Computing, pages 51--72. Springer International Publishing, Switzerland, July 2016. [ bib | DOI | preprint | .pdf ]

Refereed Journal Articles

 

Tønnes F. Nygaard, Charles P. Martin, Jim Torresen, Kyrre Glette, and David Howard. Real-world embodied AI through a morphologically adaptive quadruped robot through a morphologically adaptive quadruped robot. Nature Machine Intelligence, 2021. [ bib | DOI | video | http ]

 

Tønnes F. Nygaard, Charles P. Martin, David Howard, Jim Torresen, and Kyrre Glette. Environmental Adaptation of Robot Morphology and Control through Real-world Evolution. Evolutionary Computation, 2021. [ bib | DOI | arXiv | http ]

 

Charles Patrick Martin, Kyrre Glette, Tønnes Frostad Nygaard, and Jim Torresen. Understanding Musical Predictions with an Embodied Interface for Musical Machine Learning. Frontiers in Artificial Intelligence, 3:6, feb 2020. [ bib | DOI | video | preprint | http ]

 

Charles Patrick Martin and Jim Torresen. Data Driven Analysis of Tiny Touchscreen Performance with MicroJam. Computer Music Journal, 43(4):41--57, 2020. [ bib | DOI | arXiv | video | preprint | http ]

 

Charles P. Martin. Percussionist-Centred Design for Touchscreen Digital Musical Instruments. Contemporary Music Review, 36(1--2):64--85, September 2017. [ bib | DOI | preprint ]

Refereed Conference Proceedings

 

Charles Patrick Martin, Alexander Hunter, Brent Schuetze, and Yichen Wang. Composing Interface Connections for a Networked Touchscreen Ensemble. In Proceedings of the 4th International Symposium on the Internet of Sounds, IS2 '23, Pisa, Italy, oct 2023. IEEE. [ bib | preprint ]

 

Charles Patrick Martin. Performing with a Generative Electronic Music Controller. In Joint Proceedings of the ACM IUI Workshops 2022, mar 2022. [ bib | .pdf ]

 

Michael Muller, Lydia B Chilton, Anna Kantosalo, Charles Patrick Martin, and Greg Walsh. GenAICHI: Generative AI and HCI. In CHI Conference on Human Factors in Computing Systems Extended Abstracts, CHI EA '22, New York, NY, USA, 2022. Association for Computing Machinery. [ bib | DOI ]

 

Yichen Wang, Henry Gardner, Charles Martin, and Matt Adcock. Augmenting Sculpture with Immersive Sonification. In 2022 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW), pages 626--627, 2022. [ bib | DOI ]

 

Yichen Wang and Charles Martin. Designing Sound Synthesis Interfaces for Head-mounted Augmented Reality. In 2022 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW), pages 351--353, 2022. [ bib | DOI ]

 

Robert Neil McArthur and Charles Patrick Martin. An Application for Evolutionary Music Composition Using Autoencoders. In Artificial Intelligence in Music, Sound, Art and Design: 10th International Conference, EvoMUSART 2021, pages 443--458. Springer International Publishing, 2021. [ bib | DOI ]

 

Benedikte Wallace, Charles Patrick Martin, Jim Tørresen, and Kristian Nymoen. Exploring the Effect of Sampling Strategy on Movement Generation with Generative Neural Networks. In Artificial Intelligence in Music, Sound, Art and Design: 10th International Conference, EvoMUSART 2021, pages 344--359. Springer International Publishing, 2021. [ bib | DOI ]

 

Charles Patrick Martin, Zeruo Liu, Yichen Wang, Wennan He, and Henry Gardner. Sonic Sculpture: Activating Engagement with Head-Mounted Augmented Reality. In Romain Michon and Franziska Schroeder, editors, Proceedings of the International Conference on New Interfaces for Musical Expression, pages 39--42, Birmingham, UK, July 2020. Birmingham City University. [ bib | DOI | arXiv | preprint | .pdf ]

 

Rohan Proctor and Charles Patrick Martin. A Laptop Ensemble Performance System using Recurrent Neural Networks. In Romain Michon and Franziska Schroeder, editors, Proceedings of the International Conference on New Interfaces for Musical Expression, pages 43--48, Birmingham, UK, July 2020. Birmingham City University. [ bib | DOI | arXiv | preprint | .pdf ]

 

Cagri Erdem, Qichao Lan, Julian Fuhrer, Charles Patrick Martin, Jim Torresen, and Alexander Refsum Jensenius. Towards Playing in the `Air': Modeling Motion-Sound Energy Relationships in Electric Guitar Performance Using Deep Neural Networks. In Proceedings of the 17th Sound and Music Computing Conference, pages 177--184. SMC Network, 2020. [ bib | preprint | http ]

 

Benedikte Wallace, Charles Patrick Martin, Jim Torresen, and Kristian Nymoen. Towards Movement Generation with Audio Features. In Proceedings of the 11th International Conference on Computational Creativity, pages 284--287. Association for Computational Creativity, 2020. [ bib | arXiv | preprint ]

 

Sichao Li and Charles Patrick Martin. Comparing Three Data Representations for Music with a Sequence-to-Sequence Model. In Australasian Joint Conference on Artificial Intelligence, volume 12576 of Lecture Notes in Computer Science, pages 16--28, 2020. [ bib | DOI ]

 

Benedikte Wallace, Charles P. Martin, and Kristian Nymoen. Tracing from Sound to Movement with Mixture Density Recurrent Neural Networks. In Proceedings of the 6th International Conference on Movement and Computing, MOCO '19, New York, NY, USA, October 2019. Association for Computing Machinery. [ bib | DOI | preprint ]

 

Aline Weber, Charles Patrick Martin, Jim Torresen, and Bruno C. da Silva. Identifying Reusable Early-Life Options. In 2019 Joint IEEE 9th International Conference on Development and Learning and Epigenetic Robotics (ICDL-EpiRob), pages 335--340. IEEE, August 2019. [ bib | DOI ]

 

Christina Hopgood, Charles P. Martin, and Gisli Johann Gretarsson. Synesthetic: Composing works for Marimba and Automated Lighting. In Proceedings of the Australasian Computer Music Conference, pages 23--27, Fitzroy, Australia, July 2019. Australasian Computer Music Association. [ bib | preprint | .pdf ]

 

Ben Swift, Charles P. Martin, and Alexander Hunter. Two Perspectives on Rebooting Computer Music and Music Education: Composition and Computer Science. In Proceedings of the Australasian Computer Music Conference, pages 53--57, Fitzroy, Australia, July 2019. Australasian Computer Music Association. [ bib | DOI | preprint ]

 

Charles Patrick Martin and Jim Torresen. An Interactive Musical Prediction System with Mixture Density Recurrent Neural Networks. In Marcelo Queiroz and Anna Xambó Sedó, editors, Proceedings of the International Conference on New Interfaces for Musical Expression, NIME '19, pages 260--265, Porto Alegre, Brazil, June 2019. UFRGS. [ bib | arXiv | video | preprint | .pdf ]

 

Andrei Faitas, Synne Engdahl Baumann, Torgrim Rudland Næss, Jim Torresen, and Charles Patrick Martin. Generating Convincing Harmony Parts with Bidirectional Long Short-Term Memory Networks. In Marcelo Queiroz and Anna Xambó Sedó, editors, Proceedings of the International Conference on New Interfaces for Musical Expression, NIME '19, pages 325--330, Porto Alegre, Brazil, June 2019. UFRGS. [ bib | preprint | .pdf ]

 

Torgrim Rudland Næss and Charles Patrick Martin. A Physical Intelligent Instrument using Recurrent Neural Networks. In Marcelo Queiroz and Anna Xambó Sedó, editors, Proceedings of the International Conference on New Interfaces for Musical Expression, NIME '19, pages 79--82, Porto Alegre, Brazil, June 2019. UFRGS. [ bib | preprint | .pdf ]

 

Tønnes F. Nygaard, Charles P. Martin, Jim Torresen, and Kyrre Glette. Self-Modifying Morphology Experiments with DyRET: Dynamic Robot for Embodied Testing. In Proc. of the IEEE Int. Conf. on Robotics & Automation (ICRA), pages 9446--9452. IEEE, May 2019. [ bib | DOI | arXiv | video | preprint | http ]

 

Tønnes F. Nygaard, Jørgen Nordmoen, Kai Olav Ellefsen, Charles P. Martin, Jim Tørresen, and Kyrre Glette. Experiences from Real-World Evolution with DyRET: Dynamic Robot for Embodied Testing. In Kerstin Bach and Massimiliano Ruocco, editors, Nordic Artificial Intelligence Research and Development, volume 1056 of Communications in Computer and Information Science, pages 58--68, Cham, May 2019. Springer International Publishing. [ bib | DOI ]

 

Benedikte Wallace and Charles P. Martin. Comparing Models for Harmony Prediction in an Interactive Audio Looper. In Anikó Ekárt, Antonios Liapis, and María Luz Castro Pena, editors, International Conference on Computational Intelligence in Music, Sound, Art and Design, pages 173--187, Cham, April 2019. Springer International Publishing. [ bib | DOI | preprint ]

 

Tønnes F. Nygaard, Charles P. Martin, Jim Torresen, and Kyrre Glette. Evolving Robots on Easy Mode: Towards a Variable Complexity Controller for Quadrupeds. In Paul Kaufmann and Pedro A. Castillo, editors, International Conference on the Applications of Evolutionary Computation, pages 616--632, Cham, April 2019. Springer International Publishing. [ bib | DOI | preprint ]

 

Charles P. Martin and Jim Torresen. Predictive Musical Interaction with MDRNNs. In NeurIPS 2018 Workshop on Machine Learning for Creativity and Design, Montréal, Canada, December 2018. [ bib | DOI | preprint | .pdf ]

 

Tønnes F. Nygaard, Charles P. Martin, Eivind Samuelsen, Jim Torresen, and Kyrre Glette. Real-World Evolution Adapts Robot Morphology and Control to Hardware Limitations. In Proceedings of the Genetic and Evolutionary Computation Conference, GECCO '18, pages 125--132, New York, NY, USA, July 2018. ACM. [ bib | DOI | video | preprint | .pdf ]

 

Victor Evaristo Gonzalez Sanchez, Agata Zelechowska, Charles P. Martin, Victoria Johnson, Kari Anne Vadstensvik Bjerkestrand, and Alexander Refsum Jensenius. Bela-Based Augmented Acoustic Guitars for Inverse Sonic Microinteraction. In Proceedings of the International Conference on New Interfaces for Musical Expression, NIME '18, June 2018. [ bib | DOI | preprint | .pdf ]

 

Charles P. Martin, Alexander Refsum Jensenius, and Jim Torresen. Composing an Ensemble Standstill Work for Myo and Bela. In Proceedings of the International Conference on New Interfaces for Musical Expression, NIME '18, pages 196--197, June 2018. [ bib | DOI | arXiv | preprint | .pdf ]

 

Charles P. Martin and Jim Torresen. RoboJam: A Musical Mixture Density Network for Collaborative Touchscreen Interaction. In Antonios Liapis, Juan Jesús Romero Cardalda, and Anikó Ekárt, editors, Computational Intelligence in Music, Sound, Art and Design: International Conference, EvoMUSART, volume 10783 of Lecture Notes in Computer Science, pages 161--176, Switzerland, April 2018. Springer International Publishing. [ bib | DOI | arXiv | video | http ]

 

Charles P. Martin, Kai Olav Ellefsen, and Jim Torresen. Deep Models for Ensemble Touch-Screen Improvisation. In Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences, AM '17, August 2017. [ bib | DOI | preprint ]

 

Charles P. Martin and Jim Torresen. Exploring Social Mobile Music with Tiny Touch-Screen Performances. In Tapio Lokki, Jukka Pätynen, and Vesa Välimäki, editors, Proceedings of the 14th Sound and Music Computing Conference, SMC '17, pages 175--180, Espoo, Finland, July 2017. Aalto University. [ bib | DOI | video | preprint | http ]

 

Charles P. Martin and Jim Torresen. MicroJam: An App for Sharing Tiny Touch-Screen Performances. In Proceedings of the International Conference on New Interfaces for Musical Expression, NIME '17, pages 495--496, Denmark, May 2017. Aalborg University Copenhagen. [ bib | DOI | video | preprint | http ]

 

Charles Martin, Henry Gardner, Ben Swift, and Michael Martin. Intelligent Agents and Networked Buttons Improve Free-Improvised Ensemble Music-Making on Touch-Screens. In Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, CHI '16, pages 2295--2306, New York, NY, USA, May 2016. ACM. [ bib | DOI | video | preprint ]

 

Charles Martin and Henry Gardner. Free-Improvised Rehearsal-as-Research for Musical HCI. In Proceedings of the CHI Musical HCI Workshop, May 2016. [ bib | DOI | .pdf ]

 

Charles Martin and Henry Gardner. Can Machine Learning Apply to Musical Ensembles? In Proceedings of the CHI Human-Centered Machine Learning Workshop, May 2016. [ bib | DOI | .pdf ]

 

Charles Martin, Henry Gardner, Ben Swift, and Michael Martin. Music of 18 Performances: Evaluating Apps and Agents with Free Improvisation. In Jon Drummond, Donna Hewitt, Sophea Lerner, and Ian Stevenson, editors, Proceedings of the 2015 Conference of the Australasian Computer Music Association, ACMC2015 - MAKE!, pages 85--94. Australasian Computer Music Association, November 2015. [ bib | preprint | http ]

 

Charles Martin, Henry Gardner, and Ben Swift. Tracking Ensemble Performance on Touch-Screens with Gesture Classification and Transition Matrices. In Edgar Berdahl and Jesse Allison, editors, Proceedings of the International Conference on New Interfaces for Musical Expression, pages 359--364, Baton Rouge, Louisiana, USA, May 2015. Louisiana State University. [ bib | DOI | arXiv | preprint | .pdf ]

 

Charles Martin and Henry Gardner. That Syncing Feeling: Networked Strategies for Enabling Ensemble Creativity in iPad Musicians. In Proceedings of CreateWorld, Brisbane, Australia, February 2015. Griffith University. [ bib | preprint | http ]

 

Charles Martin, Henry Gardner, and Ben Swift. MetaTravels and MetaLonsdale: iPad Apps for Percussive Improvisation. In CHI '14 Extended Abstracts on Human Factors in Computing Systems, CHI EA '14, pages 547--550, New York, NY, USA, April 2014. ACM. [ bib | DOI | preprint ]

 

Charles Martin, Henry Gardner, and Ben Swift. Exploring Percussive Gesture on iPads with Ensemble Metatone. In Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, CHI '14, pages 1025--1028, New York, NY, USA, April 2014. ACM. [ bib | DOI | video | preprint | http ]

 

Charles Martin and Henry Gardner. Preserving Musical Performance on Touch-Screens. In Proceedings of the CHI 2014 Workshop on Curating the Digital: Spaces for Art and Interaction, Toronto, Canada, April 2014. [ bib | DOI | preprint | .pdf ]

 

Charles Martin. Integrating Mobile Music with Percussion Performance Practice. In Proceedings of the International Computer Music Conference, pages 437--440, Perth, Australia, August 2013. [ bib | preprint | http ]

 

Charles Martin. Performing with a Mobile Computer System for Vibraphone. In W. Yeo, K. Lee, A. Sigman, Ji H., and G. Wakefield, editors, Proceedings of the International Conference on New Interfaces for Musical Expression, pages 377--380, Daejeon, Republic of Korea, May 2013. Graduate School of Culture Technology, KAIST. [ bib | DOI | arXiv | preprint | .pdf ]

 

Charles Martin and Chi-Hsia Lai. Strike on Stage: a Percussion and Media Performance. In Alexander R. Jensenius, Anders Tveit, Rolf I. Godoy, and Dan Overholt, editors, Proceedings of the International Conference on New Interfaces for Musical Expression, pages 142--143, Oslo, Norway, May 2011. [ bib | DOI | arXiv | video | preprint | .pdf ]

 

Charles Martin, Benjamin Forster, and Hanna Cormick. Cross-Artform Performance Using Networked Interfaces: Last Man to Die's Vital LMTD. In Kirsty Beilharz, Bert Bongers, Andrew Johnston, and Sam Ferguson, editors, Proceedings of the International Conference on New Interfaces for Musical Expression, pages 204--207, Sydney, Australia, June 2010. [ bib | DOI | arXiv | video | preprint | .pdf ]

Other Publication Outputs

Articles Under Review

Non-Refereed Conference Proceedings

 

Tønnes F. Nygaard, Jørgen Nordmoen, Charles P. Martin, and Kyrre Glette. Lessons Learned from Real-World Experiments with DyRET: the Dynamic Robot for Embodied Testing. In ICRA Legged Locomotion Workshop, May 2019. [ bib | arXiv | http ]

 

Tønnes F. Nygaard, Charles P. Martin, Jim Tørresen, and Kyrre Glette. Exploring Mechanically Self-Reconfiguring Robots for Autonomous Design. In ICRA Workshop on Autonomous Robot Design, April 2018. [ bib | arXiv | http ]

 

Charles Martin. Making Improvised Music for iPad and Percussion with Ensemble Metatone. In Proceedings of the Australasian Computer Music Conference, pages 115--118, July 2014. [ bib | preprint | http ]

 

Charles Martin. Creating Mobile Computer Music for Percussionists: Snow Music. In Matt Hitchcock and Jodie Taylor, editors, Proceedings of the Australasian Computer Music Conference, The Basin, Australia, July 2012. Australasian Computer Music Association. [ bib | DOI | preprint ]

 

Charles Martin, Benjamin Forster, and Hanna Cormick. Audience Interactive Performance in “The Last Man to Die". In Timothy Opie, editor, Proceedings of the Australasian Computer Music Conference, pages 89--91, The Basin, Australia, June 2010. Australasian Computer Music Association. [ bib | preprint | http ]

Non-Refereed Conference Presentations

 

Enrique Alejandro Garcia Ceja, Kai Olav Ellefsen, Charles Patrick Martin, and Jim Tørresen. Tutorial on Prediction, Interaction, and User Behaviour. In IEEE World Congress on Computational Intelligence, WCCI '18, Rio de Janeiro, Brazil, July 2018. [ bib | http ]

 

Charles Patrick Martin, Kyrre Glette, and Jim Tørresen. Tutorial on Creative Prediction with Neural Networks. In The 2018 Conference on Artificial Life, ALife '18, Tokyo, Japan, July 2018. [ bib | http ]

 

Charles P. Martin, Kyrre Glette, Tønnes F. Nygaard, and Jim Torresen. Self-Awareness in a Cyber-Physical Predictive Musical Interface. In Self-Awareness in Cyber-Physical Systems Workshop, SelPhyS 2018, Birmingham, UK, April 2018. Aston University. [ bib | .pdf ]

 

Charles P. Martin. Musical Networks and Creative AI. In Technology and Emotions, Oslo, Norway, November 2017. [ bib ]

 

Charles P. Martin. Musical Networks: Using Recurrent Neural Networks to Model and Complement Musical Creativity. In Musikkteknologidagene, Oslo, Norway, October 2017. Norwegian Academy of Music. [ bib | DOI ]

 

Charles Patrick Martin. Making Social Music with MicroJam. In Cutting Edge Festival: Future Planet, Future Society, Future You, Oslo, Norway, September 2017. [ bib ]

 

Charles P. Martin. MicroJam: A Social App for Making Music. In Boost - Technology and Equality in Music, Sentralen, Oslo, Norway, June 2017. JM Norway. [ bib ]

 

Charles Martin. Decoding Performance with Data. In Musicological Society of Australia National Conference, Sydney, Australia, September 2015. Sydney Conservatorium of Music. [ bib | preprint | .pdf ]

 

Charles Martin. iPads in Percussion Ensemble. In Percussive Arts Society International Convention, PASIC '14, Indianapolis, USA, November 2014. [ bib | video | http ]

Open-Source Code Projects

 

Charles Patrick Martin. Creative-Prediction: Tutorials and Walkthroughs for Predicting Creative Data with Neural Networks. Git Repository and Website, November 2018. [ bib | DOI | http ]

 

Charles P. Martin. MicroJam: A mobile app for sharing tiny touch-screen performances. Git Repository, September 2018. [ bib | DOI ]

 

Charles Patrick Martin. Myo-to-OSC: A pure-python cross-platform solution for simply connecting Myo armbands to OSC-connected software. Git Repository, April 2018. [ bib | DOI ]

 

Charles Patrick Martin. cpmpercussion/robojam: A Mixture Density RNN for generating musical touchscreen interactions, November 2017. [ bib | DOI ]

 

Charles Patrick Martin. cpmpercussion/gesture-rnn: A deep model of touch-screen ensemble musical performance. Git Repository, July 2017. [ bib | DOI ]

 

Charles Martin. SnowMusic: A touchscreen instrument for performing with snow and ice sounds. Git Repository, May 2016. [ bib | DOI ]

 

Charles Martin. SingingBowls: A Minimal Prototype Touchscreen Instrument. Git Repository, May 2016. [ bib | DOI ]

 

Charles Martin. PhaseRings: An annular iOS instrument for performing expressive music with touch gestures. Git Repository, May 2016. [ bib | DOI ]

 

Charles Martin. MetaLonsdale: An iPad musical instrument for ensemble improvisation. Git Repository, May 2016. [ bib | DOI ]

 

Charles Martin. BirdsNest: An iPad-instrument recalling the forest sounds of northern Sweden. Git Repository, May 2016. [ bib | DOI | http ]

 

Charles Martin. Metatone Classifier: Ensemble director agent application. Git Repository, March 2014. [ bib | DOI | http ]

 

Charles Martin. OSC Logger: A Cocoa application for logging OSC messages to a text file. Git Repository, May 2013. [ bib | DOI ]

 

Charles Martin. MetaTravels: A prototype touch-screen musical instrument for iPad. Git Repository, May 2013. [ bib | DOI ]

Open Data Sets

 

Charles Martin, Ben Swift, and Henry Gardner. metatone-analysis v0.1, May 2016. [ bib | DOI | http ]

 

Charles Martin, Christina Hopgood, Jonathan Griffiths, and Yvonne Lam. Ensemble Metatone 2013 Rehearsal Study Performance Data. Zenodo, May 2016. [ bib | DOI ]

Selected Research-Led Artistic Performances

 

Charles Patrick Martin and Alexander Refsum Jensenius. Stillness Under Tension: Performance for Myo armbands and Bela embedded computers. In Musical Program of the International Conference on New Interfaces for Musical Expression, NIME '18, June 2018. [ bib ]

 

Charles P. Martin, Alexander Refsum Jensenius, Kari Anne Vadstensvik Bjerkestrand, and Victoria Johnson. Stillness Under Tension: Performance for Myo armbands and Bela embedded computers. In MusicLab vol.1: Biophysical Music, November 2017. [ bib | DOI | video | http ]

 

Alexander Refsum Jensenius, Kari Anne Vadstensvik Bjerkestrand, Victoria Johnson, Victor Evaristo Gonzalez Sanchez, Agata Zelechowska, and Charles Patrick Martin. Sverm-Resonans: Performance Installation for Acoustically-Activated Guitars. In Program of the Ultima Contemporary Music Festival, Oslo, Sentralen, Oslo, Norway, September 2017. Ultima. [ bib | video | .html ]

 

Charles Patrick Martin, Victor Evaristo Gonzalez Sanchez, Tejaswinee Kelkar, Agata Zelechowska, Stig Johan Berggren, Christina Hopgood, Benedikte Wallace, Henrik Brustad, Bjørnar Utne-Reitan, Kai Olav Ellefsen, Tønnes Frostad Nygaard, Vegard Dønnem Søyseth, Guilherme Schmidt Câmara, and Ximena Alarcón Diaz. Ensemble Metatone: 3-hour improvised touchscreen performance. In Elvelangs i Fakkellys (River walk by lantern light), September 2017. [ bib | video | http ]

 

Charles Patrick Martin. Neural Touchscreen Ensemble [Performance] 2017-07-03, July 2017. This work is supported by The Research Council of Norway as a part of the Engineering Predictability with Embodied Cognition (EPEC) project, under grant agreement 240862. [ bib | DOI | video | http ]

 

Charles P. Martin. PhaseRings for iPad Ensemble and Ensemble Director Agent. In Musical Program of the International Conference on Auditory Display, pages 232--233, July 2016. [ bib | video | preprint | .pdf ]

 

Erin Helyard, Alexander Hunter, and Charles Martin. Helyard, Hunter, Martin: Experimental Music Studio Performance (ANU School of Music and ANU Drill Hall Gallery). September 2014. [ bib ]

 

Charles Martin, Christina Hopgood, Jonathan Griffiths, and Yvonne Lam. Colour Music Concert with Ensemble Metatone. In Colour Music Concert Series, Canberra, Australia, August 2014. ANU Drill Hall Gallery. Musical Performance for iPad Ensemble. [ bib | video | http ]

 

Charles Martin, Christina Hopgood, Jonathan Griffiths, and Yvonne Lam. Ensemble Metatone: Loner Series Concert. In You Are Here Festival, Canberra, Australia, March 2014. [ bib | video | http ]

 

Maria Finkelmeier, Charles Martin, and Jacob Remington. Ensemble Evolution: Showcase Concert. In Percussive Arts Society International Convention, PASIC '13, November 2013. [ bib | video | http ]

 

Charles Martin, Christina Hopgood, Jonathan Griffiths, and Yvonne Lam. Ensemble Metatone: Research Concert 2013-08-03. ANU Research Publications, August 2013. [ bib | video | http ]

 

Charles Martin. Nordlig Vinter for Vibraphone and iOS Devices. In Musical Program of the International Conference on New Interfaces for Musical Expression, NIME '13, Daejeon, Republic of Korea, May 2013. [ bib | video ]

 

Hanna Cormick, Benjamin Forster, and Charles Martin. THE LAST MAN TO DIE. Touring theatrical performance in Canberra, Sydney, and Perth, Australia, July 2010. [ bib | video | http ]

 

Chi-Hsia Lai and Charles Martin. Strike on Stage for percussion and interactive media. In Musical Program of the International Conference on New Interfaces for Musical Expression, June 2010. [ bib | video | http ]

 

Chi-Hsia Lai and Charles Martin. Strike on Stage 1.2 for percussion and interactive media. In Timothy Opie, editor, Musical Program of the Australasian Computer Music Conference, June 2010. [ bib | video | http ]

 

Hanna Cormick, Charles Martin, and Benjamin Forster. Vital LMTD [cross-artform performance by Last Man to Die], October 2009. [ bib | video | http ]

Selected Music Recordings

 

Charles Martin and Alexander Hunter. Andromeda is Coming [Album]. Music recording., July 2017. [ bib | http ]

 

Charles Martin, Christina Hopgood, Jonathan Griffiths, and Yvonne Lam. Colour Music [Album], November 2015. [ bib | http ]

 

Charles Martin, Christina Hopgood, Jonathan Griffiths, and Yvonne Lam. Ensemble Metatone [Album], March 2014. [ bib | http ]

 

Charles Martin. Nordlig Vinter [Album], July 2013. [ bib | http ]

 

Charles Martin, Maria Finkelmeier, and Jacob Remington. Ensemble Evolution: Sounds from the Treetops [Album], February 2013. [ bib | http ]

Preprint Archive

See a directory listing of preprints for my publications.